- Comment
Virtue Reality: the woman who’s democratising VR
- Review
The Jarman Award 2018: Six short films that probe deeply into the gymnastics of the mind
- Review
‘Spider-man: Into the Spider-Verse’: Is Sony seizing innovation?
- Review
‘Beautiful Boy’: Timothée Chalamet is heartbreaking as drug dependent son
- Review
‘The Old Man and the Gun’: A film that embraces and celebrates the passing of time
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A look at what’s to come: Leeds International Film Festival 2018
- Review
‘Outlaw King’: A muddy, bloody retelling of the story of Robert the Bruce
- Review
Last chance to see: Agnès Varda’s ‘Ulysse’ @ FACT Liverpool
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Watch ‘The Blair Witch Project’ in the woods at night @ Sheffield’s Whirlow Hall Farm
- Review
Hereditary: Horror that will rock you to your very core
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Christopher Robin: ‘A tale to teach the importance of nothing’
- Review
Where art and neuroscience intersect: Beyond the Brain @ THECUBE
- Interview
Ben Lawrence on his documentary Ghosthunter
- Interview
Frederik Sølberg on following a Belgian town facing demolition in his documentary Doel
- Review
Ladybird: a story of growing up, at its most candid
- Review
Funny Cow: confronting the idea that women aren’t funny
- Review
The transgression of man in controversial South African film The Wound