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Interview
BFI Future Film Festival series: Keiran Stringfellow
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Interview
BFI Future Film Festival series: Elsa Hunter-Weston
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Preview
BFI Future Film Festival: 5 Northern filmmakers to be featured on TSOTA
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Review
‘Ramy’: an intelligent interrogation of polarisation and post-immigration living
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Comment
Steve McQueen’s ‘Red, White and Blue’ shows us that representation isn’t so simple
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Column
Consuming Culture: A film festival in your living room
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Comment
‘Saturday Night and Sunday Morning’ at 60 – the enduring influence of the anti-hero
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Comment
On the frustration and fantasy at the heart of ‘Desperately Seeking Susan’
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Comment
Coordinated closeness: intimacy in performance
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Column
Consuming Culture: Surrendering to the art of streaming
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Review
Michaela Coel destroyed us, and we’re here for it
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Comment
“I dare to say I am like no one in the whole world”- on Anne Lister and ‘Gentleman Jack’
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Review
Review: Why ‘Inside Job’ is a defining film of the last ten years
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Comment
Viral Revival: How COVID-19 has brought out the best in social media
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Review
Day in the LIFF: ‘Carmine Street Guitars’ and ‘It Must Be Heaven’ @ Hyde Park Picture House
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Column
I like you, I love you – on the romantic genre @ LIFF 2019
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Column
Heritage Open Days 2019 @ Hyde Park Picture House
