- Comment
‘Saturday Night and Sunday Morning’ at 60 – the enduring influence of the anti-hero
- Comment
On the frustration and fantasy at the heart of ‘Desperately Seeking Susan’
- Comment
Coordinated closeness: intimacy in performance
- Column
Consuming Culture: Surrendering to the art of streaming
- Review
Michaela Coel destroyed us, and we’re here for it
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- Comment
“I dare to say I am like no one in the whole world”- on Anne Lister and ‘Gentleman Jack’
- Review
Review: Why ‘Inside Job’ is a defining film of the last ten years
- Comment
Viral Revival: How COVID-19 has brought out the best in social media
- Review
Day in the LIFF: ‘Carmine Street Guitars’ and ‘It Must Be Heaven’ @ Hyde Park Picture House
- Column
I like you, I love you – on the romantic genre @ LIFF 2019
- Column
Heritage Open Days 2019 @ Hyde Park Picture House
- Column
Scalarama Film Festival: A celebration of cinema, for everyone, by anyone, everywhere
- Comment
“A sure-fire way of improving one’s life” – thoughts on the power of film and cinema
- Interview
Channel 4 is Coming to Bristol
- Review
‘Spit That Out’: North West artist film programme captures joy of experimentation
- Comment
Virtue Reality: the woman who’s democratising VR
- Review
The Jarman Award 2018: Six short films that probe deeply into the gymnastics of the mind
