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Column
FYI: Adam Scovell, writer
Written & Spoken Word. London.
December 29, 2019
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Review
Scottish Opera’s Anthropocene: An Impeccably Detailed Display of Haunting Images
April 10, 2019
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Review
A lesson in body: Colette Salder’s ‘Learning from the Future’
November 22, 2018
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Review
‘Outlaw King’: A muddy, bloody retelling of the story of Robert the Bruce
October 24, 2018
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Review
Sex in Lois Hollowell’s paintings: Fleshy and bulbous, ethereal yet human
September 20, 2018
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Review
Where art and neuroscience intersect: Beyond the Brain @ THECUBE
July 31, 2018
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Comment
London’s Millennium Bridge: an icon at 18
July 9, 2018
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Comment
A portrait of the artist: Theodore Clarke
July 4, 2018
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Review
Jack White’s surprise party: guitar legend transcends reality
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Review
POST2018: reconsidering the environment through fashion
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Preview
AWOMENfest: the feminist festival celebrating radical softness
March 22, 2018
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Review
“Lurking in its fabric is something unnervingly awry”: The Weir @ Richmond Theatre
March 19, 2018
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Review
‘The pictorial chronicler of the global economy’: Andreas Gursky @ The Hayward Gallery
March 11, 2018
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Review
The V&A’s Balenciaga retrospective shows his radical and enduring legacy
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Review
The Vagina Dialogues: 2 Fast, 2 Feminist
February 13, 2018
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Review
Basquiat: Boom for Real @ The Barbican
January 21, 2018
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Comment
The Accomplished Woman: A first-timer’s foray into stand-up comedy
